Galerie Jérôme Pauchant | Aurélie Belair

Galerie Jérôme Pauchant 

Aurélie Belair: amuleto

Free from the object-picture idea, the tools of painting are used to only keep the "sidelines". The marks created by the work within the studio are usually visible. Conversely to a scientific experiment, the practice does not benefit to any hypothesis or statement. In a constant reformulation, the formal recycling confines to a stammering state. This is a declaration. This is a deed.

"Amuleto" gathers thirteen sculptures within the gallery space, Untitled - Amulet (2016-2017), in a landscape made of sizeable canvases (linen, hemp, cotton, shipping canvas ...) tied up as South African amulets. Traditionally, the knots personify the desire to control everyday life aspects. To knot is a symbol: metaphorically, the hand activates the world.

Because of its original definition, we commonly think that the amulet - a masculine noun used in the Critical Dictionary of French language (1787-1788) - is a lucky charm to carry with you. However, woody vines can be found in various African populations. (Wood, roots, cotton, minerals, etc.). In order to protect the environment, the amulet uses its own elements (wood, roots, cotton, minerals ...).

More than the animistic idea, which makes the natural process a spirit, the artwork lies in the process of creation itself. In the case of an amulet, this is a wish conceptualized in the primitive gesture of making knots; In case of an artwork, it is the thought. In a performative action, the meaning merges with the enunciation: "It's not described, it's happening."

The works are the testimony of a previous confrontation, invisible like the amulet, which is "the continuation, even remote, of a rite which works without ceremony" . The painting's canvas carries, centralizes and celebrates the past facts: it "vestiges" the work. The object sets up duration. It is a totem for an event that takes place in a coincidence between intentions and luck.

Border with the exotic, "amuleto" gives a land to the encounter with anthropologic culture and cult. It marries the cultural and dogmatic inheritance of writing with the traditions from the language's replicas and mutations. Untitled - amulet (2016-2017) invests the transmission in-between - oral or graphic - of the elements of belief. The project needed characterizes these dialectics since the thing, said over again, endures evolutions and the thing, written, decides by its alien positioning. Thus, the idea of ​​concept tends towards the one of spiritual. Ceasing to be general, it becomes individual and abstract.

Text by Aurélie Belair 

Aurélie Belair: amuleto

19 May - 3 June 2017

Galerie Jérôme Pauchant 

www.jeromepauchant.com

Images Courtesy of: Galerie Jérôme Pauchant